Sleep Till Noon productions

Caddie Woodlawn First Stage Review

2011-11-21T09:23:00.001-08:00

Caddie Woodlawn by Susan Hunter & Tom Shelton
First Stage Milwaukee through March 17, Todd Wehr Theater, PAC

Disney has had a negative impact on American entertainment. When I
heard that Caddie Woodlawn was a musical, I thought of the endless
progression of assembly line songs and music that Disney studios have cranked out over the years and steeled myself for a possible saccharin attack.
Caddie Woodlawn isn't distorted or sanitized by Disney. It is an honest direct and very substantial musical with a genuine family appeal. Everyone who has been to a First Stage Milwaukee Production knows that whatever the show may be it will be thoroughly professional. While some of their productions are pitched to specific age groups, none of them are without general appeal and interest.Some people might think that I am far enough into second childhood to be peculiarly susceptible to First Stage Milwaukee Productions. I would defend myself and them by insisting that the level of their work is such that no theater critic can fail to be impressed. I was not only impressed by Caddie Woodlawn, I was entertained and enchanted.
C. Michael Wright is a treasure and adds immense luster and talent to
the Milwaukee theater scene. His direction of Caddie Woodlawn is sure-footed (He also does the choreography) and impeccable. His mass movements for changing scenes and adding and subtracting cast members was deft and delightful
The set design by Charles Erven is evocative and fully functional. He
makes brilliant use of quilts, planks, and props to suggests a considerable range
of locations and to provide a framework for the action. His design provides a number of working levels for the cast to perform on.
One of the most basic and pleasing aspects of theater for all ages is the element of dressing up (or down). Di Govern provides practical and sometimes perfectly lovely costumes for this production designed by Karin Simonson Kopischke. Andrew Meyers' lighting design serves the actors, the set, the costumes, and the audience beautifully.
In a period when positive male role models seem to be in somewhat
short supply, Ron Anderson as John Woodlawn is a very positive presence upon the stage. The contributions of the young actors in this production serve to remind us that he is a very positive presence as Director of the First Stage Theater Academy as well.
Ray Jivoff was an endearing character in his last appearance at First Stage. As Robert Ireton, Jivoff establishes the quality of the musical aspects of this production with a warm and solid voice, spirited dancing, and a charming characterization. Kay Stiefel as Mrs. Woodlawn has to be maternal yet
problematic as her relationship with Caddie is difficult and far from sugar- coated. Jerome Landry and Mark Salentine have modest roles but they support the principals and the children with strong performances. Raeleen McMillion and Margaret Pierson-Bates add additional strength to a very strong cast.
I saw the yellow cast and found the children unaffected, natural, and solid in their acting, their singing, and their dancing. To achieve this apparent naturalness is far from natural or automatic. It is a credit to these young actors and to their mentors that they carry off their roles so well.
The audience at the performance of Caddie Woodlawn that I attended
deserves mention. I went to a school matinee and the theater was packed with young persons who were squirming and screaming with all the energy and informality of children on a school field trip. I wondered what would happen when the show began and it became obvious that this was a musical without rap, rock, or reggae. The audience became totally absorbed and were so attentive as to
excite the envy of their teachers. There was a subdued chorus of coughing but that was inevitable with a crowd of school children during flu season.
What reduced a horde of active youngsters into an enraptured
audience? The rich and enriching performance provided by First Stage Milwaukee.
Catch this production if you can.

David M. Doll

Tom Being Interviewed on Opening Night of "South Street"

2011-09-28T21:37:00.000-07:00

From Sunday Sept. 19th LA Times

2011-09-19T10:47:00.000-07:00

The Cast of "South Street" at the Pasadena Playhouse

Tom's Resume/CV

2011-07-21T14:06:00.000-07:00

TOM SHELTON

Composer/Lyricist/Librettist

RESUME OF PRODUCED WORKS

(representative projects)

St. George and the Dragon

Theatre of the Open Eye, NYC

With Susan C. Hunter, a song score for the world-premiere play by John Patrick Shanley.

Caddie Woodlawn

Originally produced at Landers Theatre, Springfield MO

With Susan C. Hunter, a full-length adaptation of the novel by Carol Ryrie Brink. Recipient of the Landers Theatre National Playwriting Award, resulting in productions of at the Landers Theatre in Springfield, Missouri, at First Stage Milwaukee in Milwaukee, Wisconsin, The Mabel Tainter Theatre in Menomonie, Wisconsin and various other venues across the country. Published by Samuel French. www.caddiewoodlawnmusical.com

The Boy Who Ruled the Moon and Sun

San Diego Opera

With Susan C. Hunter an original children’s opera commissioned by the San Diego Opera for their Hands On educational outreach program. Received numerous performances across Southern California, including a major remounting by The Whittier Center Theatre in Whittier, California.

Cinderella

Pasadena Playhouse Youth Players

With Kathryn Laird-Johnson, a full-length re-imagining of the classic fairy tale.

A Tale of Two Counties

Marion Ross Performing Arts Center; Albert Lea, MN

With Joan Claire Graham, a musicalized evening of local oral histories. Commissioned by the State of Minnesota.

The Disciple’s Undoing

Theater of The Open Eye, NYC

With Erin Blackwell, a one-act ballet, with singing. Commissioned by Jean Erdman.

The Constant Wife

The Laguna Playhouse; Laguna Beach, CA

Incidental music for the Somerset Maugham play. Directed by Andrew Barnicle.

The King of Millard Fillmore Junior High

Tour/Imagination Machine

With Susan C. Hunter an original one-act musical commissioned and performed by The Imagination Machine, a Southern California touring ensemble.

Darling, You Slay Me!

Gourmet Detective

With Alyssa Canaan, a commission for the Gourmet Detective of Irvine. A full length interactive musical murder mystery. Published by Heuer

Stay Tuned For Murder!

Gourmet Detective

With Alyssa Canaan, a commission for the Gourmet Detective of Irvine. A full length interactive musical murder mystery.

Get Cartier!

Gourmet Detective

With Alyssa Canaan, a commission for the Gourmet Detective of Irvine. A full length interactive musical murder mystery.

Music from the new musical "Highpockets"

2010-12-06T08:44:00.000-08:00

Highpockets by Gary Davis and Tom Shelton.
"Who Cares?"
"Gettin' By"

Articles about Claire Phillips: I am here because of War Hero High Pockets
Info page

Darling, You Slay Me! Music

2010-11-17T19:50:00.001-08:00

Click here for the music to Tipsy Gypsy, University of Love and My Soul it sings.

Darling available from Heuer publishing!

2010-09-02T11:14:00.000-07:00

Order here: www.hitplays.com

Our fantastic cover by artist William Shackford

Murder Mystery Scripts Available

2008-03-15T19:57:00.000-07:00

Available now for your theatre.
Perusal scripts per request.
Read the reviews!

Darling You Slay Me

A Musical Murder in Three Acts
(For 7 Performers)
Written by Tom Shelton and Alyssa Cannan

The show runs about 1 hour and 30 minutes. With optional appetizer course, salad, dinner, and dessert, awarding of prizes and pictures, the evening runs 2 1/2 to 2 3/4 hours.

1928. New York, New York. Opening night of the new Broadway musical sensation, "He Rang the Bell". As an invited guest to Lardi's... THE place to see and be seen, you can mingle with the best and brightest of the New York stage, as you await the reviews that will make or break this big money production.

Share a table with the glamorous (and Insufferable) Broadway diva; her ambitious yet Starry-eyed understudy; the dashing leading man with the roving eye and the overdrawn bank account; the deep pocket producer with ties to the underworld;and let's not forget the man they all love to hate--the cynical, sharp-tongued theatre critic.
Careers as well as fortunes will be made or lost tonight. On the surface it's all charm, anticipation and high spirits. Seething just below the surface are passions, conflicts and ambitions of murderous intensity. Mysterious and bizarre events set the stage for some dazzling final performances.

Test your wits against Anthony Badger, our well-fed detective, a brilliant curmudgeon and bon-vivant, and make this opening night a "hit" to remember...

Available from Heuer Publishing